“I am Not Broken”

A survivor’s response to Cutting Out: performed and c0-written by Viv Gordon

I feel privileged to have taken part in an online panel discussion this week at the live screening of Cutting Out, hosted by AD4E. It was a moving and quite brilliant event, safely held by the team. Following the show there was a juxtaposition of emotion in the space. Rage, grief, laughter and outrage; a collective sense of injustice and tangible show of community. The show is a stunning piece of work. Beautifully constructed, raw, and painfully observed; it grabs society by the shoulders and gives it a hard and ferocious shake. Stop. It says. Listen. We are here.

‘Cutting out is part performance, part installation and part collective act of resistance that bears witness to the estimated 11 million survivors of childhood sexual abuse (CSA) in the UK. Performed and co-written by Viv Gordon, Cutting Out is a powerful and inspirational testament of one woman’s journey as a survivor, from experiencing abuse to finding a community, connection and a sense of belonging.’

Viv Gordon Co

What happened after my own abuse was in some ways as traumatising, if not more. Being a silent, adult survivor in a world that doesn’t talk about child sexual abuse is terrible. I felt like I was the only one and totally alone. Carrying a burden as heavy as CSA with no idea of how to release the dangerous words settled in our hearts is a relentless effort.

“Where to start?” says Viv.

Good question. How do we begin? When silence has pushed us to breaking point we have, more often than not, piled layer upon layer of secrets on the initial secret of abuse that was never ours to keep.

“It’s hard work, all that pretending” says Viv

I didn’t know how to stop. In order to be myself I would need to reveal the real me. Which secrets would I tell first? I had so many. The darkest secret of all was locked deep inside me, imprisoned, along with my words, battened down with fear and barricaded with shame. I couldn’t tell. I pondered revealing all the rest and I knew I needed help, but how to talk about them without judgement? How to explain that about my coping mechanisms, how they had whispered promises of sweet relief but now pushed me to the brink? How to tell about the secret scars on my body? The stockpiling of pills? The numerous times I woke up the morning after, wondering why I could not die, wondering why me? How to tell of my long and involved plans to exit this world in the way that caused least grief and anguish to those I love? Where to start? Speaking my secrets was unthinkable. Impossible. People would think I had lost my mind, which, in a way, I had.

“We can’t reach ourselves… we’re far far away” says Viv

I had survived and continued to survive by going far from myself, shutting down, dissociating, whatever you want to call it, and pushing memories of abuse away, to the back of my mind where they sat like a malevolent, ticking bomb. I detached again, so far from myself that nothing felt real anymore.

“La, la, la, la, pretend it isn’t true…La, la, la, la pretend they didn’t do it…”

Cutting Out
Cutting Out

Abuse might not have broken me but silence and secrets; pretending, did. The bomb exploded. BOOM! I had a breakdown and was admitted to hospital for four months. This madness of mine was official. In the mental health system, my distress, the trauma, fear and grief were pathologised. Negotiating my way through this system that had seemingly little understanding of trauma and the role it played in my own breakdown was one of the hardest things to do. I thought I’d be there forever.

Tell us why you do these things, they asked but I wasn’t safe enough to tell. The hospital wasn’t safe. The patients certainly weren’t safe. I stayed silent and kept my secrets to myself.

I am not mad, I would say to myself and to the nurses handing out medication. I shouldn’t be here.

Just take the pills dear, they would reply. It’s not up to us, talk to your consultant next week.

They’re not working I’d say and over the weeks he plied me with more and more medication; a pill for each secret, a pill for each memory. Sedation for distress and chemical restraint for fear. I was told I was there voluntarily but they strongly recommended I didn’t leave as they would then have to review that.

You are unwell, they said. You must take the pills.

I am not broken” says Viv,

The ways in which we are treated say otherwise. I was told by a psychiatrist I was broken…well, not in those exact words but he did tell me I would never recover.

He could have told me that it’s normal for a cup to shatter when it’s smashed on the floor. He failed to say there are different ways to mend; that with gentle hands, patience and love, cups can be glued back together again and whilst they may not be exactly as they were, they will still be a cup.

“Imagine a journey of reconnection” says Viv.

I found these gentle hands in peer support. Connecting with other survivors enabled me to put some of my smashed pieces back together. Shared experience helped. Validation and a safe, contained space. Ginger and lemon tea and a Bourbon biscuit every Tuesday morning on the top floor of the Samaritans did more for me than a bucket load of pills ever had. A therapist I met had gentle hands too. She used them to guide me on a journey and she sat with me in darkness and searched for my missing bits -the puzzle of me- helping me glue them back together. She didn’t leave my side. She was patient, gentle and wise and she told me over and over again how normal I was.

I would be more concerned if you weren’t reacting like this, she said. Look at what happened to you.

Not once did she say I was sick, disordered or beyond help, instead she helped me dispel the secrets and expose the rotting, festering wound of abuse, and we cleaned it together and let it dry, scab and heal. She told me how my challenges could become my strengths and slowly, slowly, I was put back together until I was a functioning person again, albeit with extra cracks and lots of glue, but whole.

“I’m still quite wonky but I’m more like a whole person” says Viv.

I was failed by the huge, rough hands of the mental health system. I couldn’t process trauma in there and elements of my treatment traumatised me even more: they felt like the hands of an abuser.

It’s unsurprising. How can a system be expected to help when society itself fails survivors; shames, victim-blames and turns away from our pain. We turn away from our pain because what is the alternative, when nobody wants to hear it?

“Listen.” says Viv. “Silence”

You know, £60m I saw was being spaffed up a wall on, you know, some investigation into historic child abuse and all this kind of thing. I mean, what on earth is that going to do to protect the public now?

Boris Johnson (quoted by Viv Gordon)

“Hello, can you see us? We’re right here in front of you” says Viv

There are an estimated 11 million of us in the U.K. so how is it the case that we don’t talk about this? Where is the outrage? Where is the justice? How many silent survivors are walking through life, unnoticed, misunderstood and hurting, like I was, like Viv was, like so many of us are? How many feel that the injustice reflects on them, that they’re not worth it? Because they’re broken?

“We need people alongside us” says Viv

Because of organisations like AD4E and because of activists like Viv, and others, I feel we are at the beginning of huge change and I feel honoured to be part of it and part of this amazing community, working as one towards the same goal.

If we all hold hands, we’ll be bigger than the beast” says Viv

A Good Week!

This week has been a busy one! On Tuesday The Flying Child Project presented to a secondary school. It was successful for a few reasons: Firstly, we learnt an important lesson as to where our own limitations lie. We know that running the same workshop four times in one day is too much. When you do this work, you share from your soul. It took its toll and, during an important debrief meeting on Thursday, we decided how we can better manage the structure in the future.

Continue reading “A Good Week!”


It has been such a joy to work with Viv Gordon and her team over the last 16 Days of Activism. Seeing The Flying Child mentioned in the final slide makes me feel a bit emotional and I’m not sure why – maybe it’s because it makes everything I’m doing feel a bit more real? I believe in what I do, and when Viv asked me to join the campaign and work alongside her, it made me realise that other people must really believe in what I do too.

I’ve learnt so much, have felt supported and valued, and have even broken more of my own silence by contributing a short film in which I talk about my own abuse. It was a piece I wrote a while ago and wasn’t sure how to share it, as the blog didn’t feel quite right somehow. Reading it aloud, whilst cutting out my doll felt exactly right. I will share it on the website at some point. I hesitate, because some people I know subscribe to the blog. I need to stop doing that (hesitating).

The last 16 days has made me re-evaluate a bit. I need to make more room for creativity within my own work. My original vision for the project was to present our lived experience to professionals in a very creative way. I contacted theatre companies, artists and dance schools but it’s unrealistic to expect people to work for nothing and I had no funding to pay them at that point.

Over the last few weeks, I have met some inspiringly creative survivors. There is a lot of talking and planning going on behind the scenes. I have SO many plans. We all have so many plans. As the flying lady says in the illustration kindly shared with us by @lucybeacham @apinchofsaltsophie (you can find them over on Instagram) – “we have so much work to do…” and it is EXCITING!!

Illustration by Lucy Beacham and shared with kind permission by Sophie Ellen Powell

Unspeakable Things

By The Flying Child

I was the victim of a crime, an abhorrent act that was done to me, and to many others like me, yet when we speak about the acts of depravity that were inflicted on us, some people turn away from us.


Continue reading “Unspeakable Things”
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